Quote:
Originally Posted by Guest
There very well might be only three of us on here now. Better than one Sybil the multi-blathering idiot liberal that talks to HIMSELF.
You are very good at one line disparaging, but why not join the fun with some substantial commentary? It might do you good to think outside the troll box.
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I wish someone else will speak up. Everything this person reads he thinks is me.
Unless this a one your tricks.
For the record I did like some of Sybil's personalities. The ones in italics are the ones I would have dated in the good old days. Yowzer
Sybil Isabel Dorsett (1923), the main personality
Victoria Antoinette Scharleau (1926), nicknamed Vicky, self-assured and sophisticated young French girl
Peggy Lou Baldwin (1926), assertive, enthusiastic, and often angry
Peggy Ann Baldwin (1926), a counterpart of Peggy Lou but more fearful than angry
Mary Lucinda Saunders Dorsett (1933), a thoughtful, contemplative, and maternal homebody
Marcia Lynn Dorsett (1927), an extremely emotional writer and painter
Vanessa Gail Dorsett (1935), intensely dramatic is the musical one of them and fun loving.
Mike Dorsett (1928), one of Sybil's two male selves, a builder and a carpenter
[I would have hired him]
Sid Dorsett (1928), the second of Sybil's two male selves, a carpenter and a general handyman. Sid took his name from Sybil's initials (Sybil Isabelle Dorsett),
Nancy Lou Ann Baldwin (date undetermined), interested in politics as fulfillment of Biblical prophecy and intensely afraid of Roman Catholics
[this would have never worked out]
Sybil Ann Dorsett (1928), listless to the point of neurasthenia
Ruthie Dorsett (date undetermined), a baby and one of the less developed selves
Clara Dorsett (date undetermined), intensely religious and highly critical of Sybil
Helen Dorsett (1929), intensely afraid but determined to achieve fulfillment
Marjorie Dorsett (1928), serene, vivacious, and quick to laugh
The Blonde (1946), a nameless perpetual teenager with an optimistic outlook